Study of the London Underground: Sept 1998 - Dec 1999
| Pocket Guide to London Underground (used as reference). |
When you live in Canada you are privileged by all the landscape. The mountains, the sea, the vast space, and forests with endless trees. When I moved to London in the Summer of 1998 to be with my wife. The shock of moving to a new country filtrated into my studio... so a few months after arriving into this city I started a series of painting about the London Underground (tube Map).
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| Study of the London Underground (Day). oil on canvas. 40 x 60 inches. Fall 1998 - Dec 1999. (Sold) |
| Study of the London Underground (night). oil on canvas. 40 x 54 inches. Fall 1998. Price: £1400 |
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| Study of the London Underground. oil on canvas. 40 x 54 inches. Fall 1998. Price £1400 |
I cut up and destroyed the bulk of this series. I had completed five painting on this series and had another six that I was working on. When news spread that I had sold one of these paintings to the Prince of Morrocco a wave of people started calling me wanting Underground paintings. Eight people called in the space of a weekend... all wishing to purchased Underground paintings. This falseness upset me... so I cut up all the works I was currently working on and ended the series. And said... 'sorry... no more Underground paintings'.
At that time I was working or using the second bedroom on 18 Garfield Road as a studio... which had approximately 50-60 paintings stored in it. Two months later Marco Martins heard about me, and purchased some work... and volunteered to sponsour me (which entail paying for a studio for me for a year, plus giving me £1500 towards materials). So I started painting at Amce Carpenters Road Studio. Eight months later things had cooled down with regards to the Prince of Morrocco. I was sorting through all my canvases at Garfield Road and noticed an Underground painting stacked behind fifteen other canvases. It was 95 % complete... so I spent a 20 - 30 minutes and finished it.
The Tube Map is such an amazing subject matter to explore. It is a modern landscape. To paint Impressionist landscapes of the River Thames scenes some how does not seem right in todays world. The Milliumum Dome, Canary Wharf, the London Eye. Perhaps in a few years I will return to the Study of the Underground Series.